13 Ekim 2012 Cumartesi

High Kickin'

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Two weeks ago, we were lucky enough to see the Broncos beat the Raiders 37 - 6!  It was an awesome game!  And part of the game between TV timeouts are the NFL cheerleaders!  I'm not sure what most people think about cheerleaders in the NFL, but I think I can tell you that most red-blooded male fans don't mind. Red-blooded female fans of the NFL may be another question! :-)

So, as I was saying, part of the NFL pageantry includes the cheerleaders.  Most teams have them.  The most famous are probably the Dallas Cowboys Cheerleaders. However, there are some NFL teams that don't have cheerleaders, including the Pittsburgh Steelers, the Greenbay Packers (boo!!) and my very own Detroit Lions.  I don't think there's anything wrong with having professional cheerleaders, but there's also something kind of special about not having them.  What I mean by that is technically the Lions don't have "Lions" cheerleaders per se, but they usually have local high school cheerleaders come out to support the team.  That has a nice hometown feel to it, don't you think?  So I guess the Lions really do have cheerleaders, but it's so much more innocent and special. On the other hand, I kind of wish they had regular cheerleaders, because in some weird way I think that that would make them more a part of the NFL and maybe they would get better.  Yes, that doesn't make sense, especially when you look at the Pittsburgh Steelers - the team with the most NFL championships and yet still have no cheerleaders - along with the hated Packers with their storied history.

Well anyway, you have to admit, pro cheerleaders add a certain "glamor" to the teams as you can see here.  The Broncos Cheerleaders are certainly glamorous and can put on a show!  I think I just got pretty lucky in the fact that I was able to catch them at the apex of one of their high-kicks!  Can't beat it, can you?!


Brave 'Net World

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Amid the widespread elation over the role of the internet - including and especially Facebook and Twitter - in helping to foment the popular uprising in Egypt against the longstanding autocratic rule of Hosni Mubarek, the New York Times ran this bracing review of a new book questioning the internet's inherent democratic qualities. Reviewing Evgeny Morozov's book The Net Delusion, technologist Lee Siegel rightly notes that, while the internet's democratic bonafides are still in question, the internet has shown itself to be unquestionably useful in information-gathering, an activity that ends up especially benefiting corporations and governments - i.e., those institutions that are increasingly organized to gather as much private information about people as possible.

Here's Siegel, who in this passage moves between the ways the internet supports both large corporations and centralizing governments:

Morozov urges the cyberutopians to open their eyes to the fact that the ­asocial pursuit of profit is what drives social media. “Not surprisingly,” he writes, “the dangerous fascination with solving previously intractable social problems with the help of technology allows vested interests to disguise what essentially amounts to advertising for their commercial products in the language of freedom and liberation.” In 2007, when he was at the State Department, Jared Cohen wrote with tragic wrongheadedness that “the Internet is a place where Iranian youth can . . . say anything they want as they operate free from the grips of the police-state apparatus.” Thanks to the exciting new technology, many of those freely texting Iranian youths are in prison or dead. Cohen himself now works for Google as the director of “Google Ideas.”

For Morozov, technology is a vacuum waiting to be filled with the strongest temperament. And the Internet, he maintains, is “a much more capricious technology” than radio or television. Neither radio nor TV has “keyword-based filtering,” which allows regimes to use URLs and text to identify and suppress dangerous Web sites, or, like marketers, to collect information on the people who visit them — a tactic Morozov sardonically calls the “customization of censorship.”


I keep hearing people speaking of the rise of social networking and connectivity as a new form of evolution. Their view echoes the millenarian hopes of Marshall McLuhan, who wrote at the dawning of the internet age of a new "pentacostalism" that would allow us to transcend the limits of individual consciousness: "The computer promises by technology a Pentecostal condition of universal understanding and unity. The next logical step would seem to be, not to translate, but to by-pass languages in favour of a general cosmic consciousness."

Perhaps without realizing it, he echoed the utopian hopes of Richard M. Bucke, whose popular and influential 1901 book Cosmic Consciousness sought scientifically to prove humanity's evolutionary ascent to a condition of shared and universal consciousness. Arguing that we were on the cusp of a universal attainment of our final evolutionary step, Bucke's work faded into obscurity with the intervention of World War I and later, World War II and a series of savage and brutal wars and genocides that seemed, if anything, to suggest that Spengler was the better prophet of the age.

Still, the dream is not easily abandoned, and we are well-advised to remind ourselves of the pitfalls accompanying our fantasies. Above all, the prism of progress too often allows us to dismiss as superfluous or unimportant the brutal truths that contradict the fantasy. It would seem Morozov's book, and Siegel's able review, is a helpful first corrective, reminding us that the oppressions and manipulations of the internet are not ancillary, but perhaps more central its current and future role than our techno-optimists are willing to admit.

(h/t, Cory Andrews)

Tell Us Something We Don't Know

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Wiki Leaks is slipping. In a case of stating the obvious, their latest "disclosure" shows the U.S. Government having reached the conclusion that the Saudi's have been significantly overstating the amount of their oil "reserves," and that we can expect a shortfall of promised deliveries within a year. Why would they do such a thing? Could it have to do with their certain knowledge that the revelation of their dramatically falling production rates would cause a spike in oil prices, at once causing the world to spiral into a deeper recession while also providing a (late, even belated) effort to develop "alternatives"?

Charmingly, the Yahoo news doesn't have a clue. They suggest that the upshot of this disclosure reveals that the Saudis will face "peak oil," missing the point that as go the Saudi's, so goes the world. And, "Yahoo" draws the conclusion that this will be bad news for SUV drivers. Not to mention industrial civilization.

Yea, this is really news, at least for those who haven't been paying attention...

To our young people - this is as good a time as any to revisit Wendell Berry's prescient and sage advice to the graduates of Bellarmine University in May, 2007:

What more than you have so far learned will you need to know in order to live at home? (I don’t mean “home” as a house for sale.) If you decide, or if you are required by circumstances, to live all your life in one place, what will you need to know about it and about yourself? At present our economy and society are founded on the assumption that energy will always be unlimited and cheap; but what will you have to learn to live in a world in which energy is limited and expensive? What will you have to know – and know how to do – when your community can no longer be supplied by cheap transportation? Will you be satisfied to live in a world owned or controlled by a few great corporations? If not, would you consider the alternative: self-employment in a small local enterprise owned by you, offering honest goods or services to your neighbors and responsible stewardship to your community?

Even to ask such questions, let alone answer them, you will have to refuse certain assumptions that the proponents of STEM and the predestinarians of the global economy wish you to take for granted.

Caylee's Law and the Specter of Civil Breakdown

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In the wake of the "not guilty" finding in the Casey Anthony trial, large numbers of outraged individuals have begun a campaign for the creation of various State and even a Federal version of "Caylee's Law." In addition to such an effort in the state of Florida, similar legislation is being explored in states such as Georgia, Kansas, Louisiana, New Jersey, New York, North Carolina, Ohio, Oklahoma, Pennsylvania, South Carolina, Texas and West Virginia. This law would promulgate strict requirements under which parents or guardians would be expected to report a missing and deceased child to police. Under such a law, it can be presumed, such actions as that of Casey Anthony would have led to a guilty verdict - if not for murder, at least on the scandal of a parent failing to report a missing child.

The law is clearly a response to the outrage and anger felt by thousands if not hundreds of thousands of people in the wake of the Casey Anthony verdict. Yet, what would be the expected efficacy of such a law? Can it really be expected that it would deter what must be a infinitesimally small number of parents who would not immediately call the police at the slightest suspicion of a missing child? (Let's face it - if anything, most parents are likely to contact authorities before checking all the likely places a child might be).

The pressure to pass such a law is most obviously an expression of thwarted vengeance, an outburst of outrage and frustration toward someone the public believes got away not only with murder, but the murder of her own small child. This is an understandable human response.

But it seems also plausible that the pressure to pass such a law reflects more deeply the anxieties and fears of many that the fabric of informal social norms have become so frayed that only the impotent passage of largely pointless laws can give some comfort in the belief that there is some kind of replacement. What strikes one about Anthony's is how relatively "normal" they are in today's America. The Anthony's had moved to Florida from Ohio, indicating a normal "mobile" American lifestyle. They live in a suburban neighborhood in Orlando, one of innumerable such "communities" where people can live in relative anonymity amid proximate families. As of 2006, there were 12.9 million single parents raising over 21 million children. Some four million of those single parents live with their parents. The stories of Casey's insecure employment history is not unusual for many young people today, particularly for under-educated single mothers. The anxiety provoked by the Casey Anthony story is not born of the perception of someone so wildly different from the way many Americans live today; it arises from the deeper perception that this is the way that many more of us are likely to live in America today.

In his recent book The Origins of Political Order, Francis Fukuyama seeks to explore the question of how more advanced industrial societies have moved away from "kinship relations" of more "primitive" societies to more complex societies of strangers in which our relationships are based on impersonal legal and economic relationships. Fukuyama - still evincing his characteristic progressive worldview - regards these advances as an inevitability of evolution itself, a sign of our greater advancement. But these very "advances" render us increasingly strangers even to those near to us - not only our neighbors, but our own children and parents. Our liberation from "kinship" is based upon our increased ability to artificially create radical forms of isolation from even those kinship relations. As Fukuyama correctly notes, "that individualism seems today like a solid core of our economic and political behavior is only because we have developed institutions that override our more naturally communal instincts" (29).

The calls for lawmakers to "do something" in the wake of the Casey Anthony "not guilty" verdict shows the limits of our impersonal age. Lacking confidence in the remnants of the social norms (not legalisms) upon which those kinship cultures were based, we turn now to the law to instruct fellow citizens how to behave with their children. The passage of such laws, far from indicating a triumph of our greater civility, reveals its unceasing attenuation and even breakdown. Our anxieties will only be stoked, not relieved, and each "solution" will only exacerbate the root causes of our deeper alienation.

Leaving Washington

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It was on the virtual “pages” of the Front Porch Republic that I announced last February that I was leaving Georgetown University, in Washington D.C., to accept a position at the University of Notre Dame, in nearby South Bend, IN. That posting was on track to becoming the most visited page in three year history of FPR – it had accumulated over 12,000 hits during the week it was online, at least until I thought better of the overweening self-indulgence of such a personal pronouncement and decided to take it down.

There were doubtless many reasons for the virtual traffic that this post received – at least in significant part because of my decision to leave one Catholic university for another one, and my expressed dissatisfaction with the place from which I was departing – but my sense from a fair number of reactions that I received was a widespread incredulity that I would leave Washington D.C. for the flyover region of Michiana and the run-down, economically depressed city of South Bend. Academics in general are attracted to major cosmopolitan cities like flies to bright lights (or, I could point to a more earthy substance to which flies are also attracted), and so there was general disbelief from a number of quarters about the sanity of my decision. But what was most striking to me was the general disapproval from those who have spent much of their adult lives decrying the influence and reach and growth of Washington D.C. – meaning, of course, its main industry, the Government. Many, if not most of my “conservative” friends urged me not to leave my previous position because of the influence that I could exert over students at such a strategically-located institution like Georgetown, ones who were drawn to the preeminent university in DC so that they could embark on political careers in that city. Stay in Washington, they urged, so that you might educate students to make Washington less important.

 After seven years in Washington, witnessing the ongoing growth of the conservative industry in the city that conservatives claim to hate ranks high among the absurdities amid the countless absurdities of modern American life. D.C. has been the longstanding home of a number of the nation’s top conservative think-tanks, from AEI to Cato to Heritage Foundation. It is a magnet for recent college graduates who intern and work for countless conservative organizations, from conservative journals like the Weekly Standard and the National Review to major conservative journalists of opinion such as George Will, Charles Krauthammer, and David Brooks. The location of the Porch's President, Mark Mitchell’s college, Patrick Henry College, was selected in significant part due to its proximity to D.C., where it was hoped its graduates would find ready foothold for conservative internships and jobs. Recently I was among a set of speakers at a newly founded satellite “campus” of nearby Hillsdale College – the Kirby Center, located close to Union Station in Washington D.C. – noteworthy for the fact that Hillsdale is among the only institutions of higher-education in America that accepts no federal funding, yet has established a Center in the heart of the Capital.

Of course, the explicit grounds for this growing presence of conservative people and institutions in Washington is that the slowing or reduction of Washington’s influence can only be achieved by achieving control of national political office and influencing its policy. This is at least a plausible reason, even if evidence for its efficacy is scanty. One might note in passing that since 1980, the Presidency has been under control of Republicans during 20 of the last 32 years, and in control of at least one house of Congress for sixteen of those years, including four – from 2003-2007 – when it controlled both Houses and the Presidency, and during which discretionary outlays of the Federal budget increased by 48.6% and the national debt grew from $6.7 billion to nearly $9 billion. Conservatives, when in power, generally increase the budget and activities of the federal government no less quickly than their liberal counterparts, and in the case of the years when they controlled the Presidency and both Houses, increased it more than many previous liberal administrations.

But my point is not to castigate the "conservative" party for hypocrisy in an age when budget outlays and increases are built into the fabric of democratic electoral politics and are a fundamental demand of its citizenry, regardless of party label; it is rather to suggest that the attraction to Washington D.C. is not perhaps best explained solely by any credible evidence of likely influence of its residents over policy – much as that might be the form of self-explanation that attracts many, whatever their political persuasion. Experience of the last 30 years of politics should indicate that the efforts of even those most dedicated to reducing the size and scope of Washington’s influence have shown very poor results. Yet, rather than showing discouragement with the entire project and decamping in the face of obvious defeat, attraction to Washington of every political stripe has only accelerated in recent years, with the city showing population growth over the last decade that has exceeded the growth rate of any State in the nation. Indeed, the entire region including and around the nation’s capital has seen remarkable growth, with the population of the area around Washington DC – DMV – doubling since 1960, expanding from 2.3 million to to 4.8 million in 2000 and to 5.6 million in 2010. The area is projected to grow by another 7% by 2014. The DC region now holds the dubious distinction of having displaced Los Angeles as the most traffic-congested area of the nation.

The growth of Washington has not been broadly representative of the overall demographics of the U.S. population. As analyzed in Charles Murray’s recently published and widely-discussed book Coming Apart, the DC area has been a particular draw to a narrow subset of the U.S. population, which he describes as “overeducated elitist snobs.” These are the graduates of America’s top institutions of higher education – represented by his analysis of the settlement patterns of recent graduates of HPY (Harvard/Princeton/Yale), who settle with extraordinary consistency in a number of “super-zips,” (“super-zip codes,”) designated by Murray as “Elite Bubbles.” Thirteen of these zip-codes are to be found in or near the city of Washington DC – including Georgetown, NW DC, Bethesda, Chevy Chase, McLean, Arlington, Alexandria, as well as the more “middle-class” zip codes that include the likes of Springfield and Reston. In these zip codes, people enjoy an average education and income higher than that enjoyed by all but 5 percent of other Americans.

 Murray emphasizes that these “super-zips” (along with others that are to be found in places like New York, Boston and Chicago, San Francisco, among the few cities where HPY’s congregate after graduation) are not “islands,” but shape and influence a large geographic area that, in the case of Washington D.C., constitutes the wealthiest and most desirable areas of the nation in which its elite prefers to live. Murray also notes that these denizens of “super-zips” are overwhelmingly politically liberal, leading him to decry a kind of monolithic political worldview of such places (according to Murray’s findings, 67% in “superzips” are liberal or doctrinaire liberal, while 19% are conservative or doctrinaire conservative). But it should be pointed out that people of widely different political views live in the same neighborhoods, shop at the same stores, dine at the same restaurants and live the same basic lifestyle. No matter how we describe them politically – and the policies that they support, whether or not they are likely to be enacted or not – a defining feature of these denizens is a pervasive urbanity and cosmopolitanism. They are generally well-travelled; comfortable in the larger, generally anonymous urban setting; happy purveyors of high culture and fine dining; occupants of similar housing stock, which is generally upscale single-family that does not include residents of different and especially lower economic strata; they tend to be well-informed about current events from similar sources, such as NPR or the WSJ; comparatively among the wealthiest people in the entire world, and largely expectant that their children will travel life paths that will put them on a similar trajectory to occupy similar positions and locate in comparable super-zips as they become adults. For all of the significant political differences that might divide them, they in fact have far more in common in their “lifestyle” and general worldviews and outlook on how life should be lived.

 I don’t blame them for liking to live in these settings, and will admit that moving to South Bend has not been without moments of second-guessing about leaving all the cultural, culinary, and aesthetic bounties of a place like Washington, DC. These are beautiful and wealthy places, filled with interesting people leading interesting lives, places overbrimming with so much prosperity that one inevitably benefits even if one is not among the super-wealthy. Living in such places, one actually does experience a kind of “trickle-down” wealth, if not literally in direct increases (though money flows more freely), then in the ancillary benefits of good schools, a constantly upgraded infrastructure, well-maintained private homes, well-stocked libraries and manicured public parks, interesting intellectual discourse, an atmosphere where personal health, personal growth, and well-being are stressed and therefore contagious.

 People educated at the leading institutions today – whatever their political stripe – are essentially trained to be concerned about the affairs of the world, to seek to change the world, at least at the scale of the nation-state, if not the international scale. They are groomed to be “leaders.” Hope College - location of FPR's second conference - proclaims its aim in its mission statement “to educate students for lives of leadership and service in a global society" in such off-campus centers as Philadelphia, Chicago, New York, and - naturally - Washington DC. The topics of the discussions and debates of today’s highly educated are almost exclusively cultivated to be focused on the issues and concerns emanating from national and international venues. It was always the source of sad bemusement that so many of the articles of Georgetown's campus newspaper, "The Hoya," were directed to topics of national and international political concern. It was not that students believed that anyone who might influence such matters was consulting "The Hoya" (well, maybe a few students were so deluted); it is that they were practicing and auditioning for future positions.

 While the airwaves are filled with debates between our best educated leaders who have congregated together in one of four or five cities in the country, they are in fact more commonly and deeply bound by a shared perspective that what matters is the big and the expansive. While these are places of specific geographic locations, with particular and often interesting histories, the people who are now attracted to these places go there not with a commitment to any particular local culture, but rather because they are places attractive to people who seek to transcend any particular locality and become citizens of the world. As thought and opinion leaders, they help to foster a national and international consensus that the things that really matter are the things that are being debated and discussed in Washington.

 This outcome was, of course, part of the original design of our system – to encourage the vacating of “local cultures” in favor of the cultivation of an elite class that would transcend concern for, or identification with, any particular locality. Addressing the concerns of the original localists – the so-called “Anti-federalists”, who decried the proposed Constitution’s tendency toward “consolidation” – Alexander Hamilton tipped his hand to the kind of nation that the Constitution would help foster:
I confess I am at a loss to discover what temptation the persons intrusted with the administration of the general government could ever feel to divest the States of the authorities of that description. The regulation of mere domestic police of a state appears to me to hold out slender allurements to ambition. Commerce, finance, negotiation, and war seem to comprehend the objects which have charms for minds governed by that passion: and all the powers necessary to those objects ought in the first instance to be lodged in the national depository.... It is therefore improbable that there should exist a disposition in the federal councils to usurp the [local] powers.... The possession of them ... would contribute nothing to the dignity, to the importance, and to the splendor of the national government.
For all the stated political differences of our leadership class, cultivated in this similar worldview, they share a deeper commitment to maintaining our attention upon, and concern for, national and international concerns. Hamilton acknowledged that people tend to have a preliminary and dominant concern for what is nearest to them – their families, their neighborhoods, their communities, their States – but believed that if the best and the brightest could be attracted to national office, our gaze and concerns could be diverted to places and debates far from us, that we would come to think that what happens in Washington DC or in Brussels to be more important than what happens in our own neighborhoods.

 There is another element to this longstanding effort, to lower our sights and concerns from the divine to the earthly – to foster, in the recent words of biblical scholar Peter Enns, a “rival eschatology.” While we are drawn into the weighty battles between liberals and conservatives, sides pitted against each other, we cease to notice that they are part of a common effort to secure our allegiance to the belief that the fate of our world and our lives hangs in the balance with the outcome of the next election, or the election after that, or the election after that. As our attention focuses with greater exclusivity upon the concerns of Washington DC, the scale of our vista actually shrinks. Indeed, with our gaze fixed on the bright lights of Washington D.C., we invite its light pollution to dim out the light from the City that ought to matter more - the Eternal City to which we ought rather to aspire. We are more apt to see the lights of that better city from locations less bright, less distracting, less self-important.

 We forget that Augustine went to Rome – his biographer Peter Brown tells us, because in Rome he could find the stage where he might pursue his ambitions as a political actor, a teacher of rhetoric. Unlike our current leaders, however, Augustine was quickly disillusioned by what he found there – an assortment of people drawn by common vices in the pursuit of earthly power. He left Rome, and eventually settled in the provinces of his homeland in Africa, in Thagaste, where he was drawn by life in a monastery where, Brown relates, “monks seemed to him to have succeeded in living in permanent communities, where all the relationships were moulded by the dictates of Christian Charity.” It would be from this setting that he would write his great work, The City of God, in which he sought to remind Christians – after the sack of Rome – that even the most important and majestic human societies must die, are destined to die, and will die all the more quickly when they think themselves to be the sole end and purpose of human life.

 I have left Washington, but I am still learning to leave Washington. I am trying to learn that what takes place in my city, in my neighborhood, my region, deserves more attention and concern, deserves my energy and devotion and passion, far more than whatever the debate I’m told to care about by my betters who seek to focus my attention on the national and international stage, to distract me from the “slender allurements” of mere “domestic” life. Rather than “win” Washington, I am trying to learn to ignore Washington, to live in and care about where I am. And to remind myself to have a proper vista, not to share in the self-delusion in the eternity of our earthly city – that self-delusion that led our best-and-brightest into the belief that our economy would always grow as long as there was more to borrow, or today that our power will always increase. I am learning to leave Washington in part in preparation for the day when it will no longer be, or be what it is – a day that I think is not as distant as those now living there, a time when we will live in local culture because it will be the only place to live, the only place we should live.

 [This post is cross-posted at "Front Porch Republic." The remarks were delivered at the Second Annual FPR Conference in September]

12 Ekim 2012 Cuma

"Gen. Stonewall Jackson's Equestrian Statue" (oil; 14" x 11")

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"Gen. Stonewall Jackson's Equestrian Statue"

Reference Photo


During my daughter's spring break, my family visited Charlottesville, VA. In the Old Town, we came across General Stonewall Jackson's equestrian statue at Jackson Park. There was no parking available, so I took a shot as quickly as possible from across the street. It was an overcast day; the lighting was somewhat flat. I still liked the eager gait of the general and his mount, so I decided to make a painting.

At the outset, I thought about making the sky as the background by getting rid of the building and trees so that the statue would stand out.  But there was a big concern for a lack of depth with such a treatment.  The building and trees went in, which was after all a good decision.  

"Gen. Stonewall Jackson's Equestrian Statue" is meant to be a companion piece for "Gen. Robert E. Lee's Equestrian Statue" and has a different feel from the earlier painting.  What I like about the new painting is the energetic brushstrokes and smidgens of pinkish underpainting showing throughout the statue.  The energy of the painting goes well with the young, heroic general, who seems to be going some place with purpose. 


"Gen. Robert E. Lee's Equestrian Statue" (oil, 14 x 11")

"Sunny Roses" (oil; 6" x 8")

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"Sunny Roses"

Reference photo


These are the same roses as in "Yellow Roses" from a slightly different angle.  Much can be said for painting the same thing over and over again.  One gains a deeper understanding of the subject through the repetition with variation.  Here I was trying to get to the bottom of how to paint natural-looking leaves.  Perhaps, the only drawback in working in a series is coming up with an exciting  title each time!

"Autumn Day on the Potomac" (oil; 8" x 10")

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"Autumn Day on the Potomac"

Reference photo


A painting of a beautiful autumn day along the Potomac River near Great Falls, painted on location?  No, I am afraid that I somehow became an indoor landscape painter--an oxymoronic creature!  I took the reference picture during an outing of the Art League Plein Air Painters last fall, when I used to go out to paint regularly. 

Trees started changing colors; fallen leaves are being blown about by the wind.  This is the best season where I live.  The awful heat and even worse humidity are no more.  And the best part is that it lasts for two, three months until we get into the limbo of a season--a snowless, wimpy winter.  I should really get my lazy self out to take advantage of the weather!

"Delft Blue Teapot and Three Peppers" (oil; 8" x 10")

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"Delft Blue Teapot and Three Peppers"

Still life setup
 
John's demo painting

Last Thursday night, I was happily back in John Murray's still life class at the Art League School in Alexandria, VA.  I noticed that I become slightly depressed when I am not in an art class for a length of time.  The camaraderie and stimulation I get from the gathering of fellow artists, plus the instructions from a teacher, are an elixir of my artistic life!

John did a quick demo to show the class what to aim at: do not draw an outline of objects and fill it in; instead focus on establishing light and dark shapes with big broad strokes.  It was both inspiring and discouraging to see him whip out a gorgeous sketch in fifteen minutes.  As I jokingly grumbled, it was easy for him, but not for us! 

I chose to paint the beautiful Delft blue teapot he brought from his studio, along with red and green peppers.  This term I decided to crop and paint in small formats, perhaps two during a class, instead of trying to paint everything in front of me on a larger canvas, to learn more about composition, color mixing, and such by doing small paintings.


My own still life setup

So, after the critique session, I set up my own apple arrangement for the remaining half an hour.  It was, unfortunately, a rainy night, with thunders cracking ominously.  Everybody was eager to go home.  Under the circumstances, my second painting turned out ho hum.  I tried to work on it on the following morning; it didn't go anywhere.  I started another based on the photo above.  It was even worse than the first one. 

I had the wisdom to walk away.  On the way to the ice-skating rinks, it occurred to me that the exercise painting was not worth all the fretting.  Upon my return, I wiped paints off both panels.  It felt great!  I sometimes try too hard.  I am learning to let go and enjoy life more.


"Pomegranates and Turquoise" (oil; 7" x 7")

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"Pomegranates and Turquoise"


I have been meaning to paint pomegranates for quite a while and finally got around to get some for my "a-still-life-a-day" project.  As exciting as it was to paint these gorgeous fruits, I was even more thrilled to show off the linen fabric of the most exquisite shade of turquoise that I bought for $35 per yard!

If you are an artist, you have probably been recommended to use a limited palette by many teachers.  I think it's a great idea because one doesn't have to carry around gazillion paint tubes or spend lots of money to pay for them.  On the other hand, it is so nice not having to mix many subtle shades of reds, yellows, blues, greens, purples, etc., with just six or seven colors.

For "Pomegranates and Turquoise," I used all of my six reds, plus cadmium orange and dioxazine violet just for the fruits!  On my palette I have four yellows, two browns, three violets, four blues, three greens, plus a warm green mixture of viridian and cadmium yellow medium.  Obviously I don't use all these colors in a painting, but am prepared for any color contingencies!

11 Ekim 2012 Perşembe

"No Longer Buddies" (oil; 8" x 6")

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"No Longer Buddies"

Reference photo


Last Friday night, I was at a party.  While talking with other guests, I kept getting distracted by a pair of handsome beagles.  As I have been dying to paint dogs, I tried to take pictures  with my BlackBerry.  Unfortunately they were camera-shy.  I managed to take a few snap shots, but couldn't get my "dumb" phone to email them to my laptop.  (No wonder that RIM, the producer of BlackBerry, is in trouble.)  What you see above is the picture I took of the image on my phone's screen!  When there is a will, there is a way.

By the way, the brother and sister didn't have a fight. The posture of the two puppies just gave me a narrative idea, that's all.

"Antique Teacup and Apples" (oil; 12" x 12")

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"Antique Teacup and Apples"

Still life setup


Some days I can paint reasonably well; some other days, I can't paint at all.  Although it was only the third week of the term (I missed the first class), John Murray, who must have thought mighty high of our ability, arranged the above complicated setup last Thursday night!  It was awkward to paint just the elegant brass compote laden with red apples, or the dainty antique teacup and saucer, or the three fruits on the right.  Willy nilly, I ended up painting the entire setup despite my different intentions for this term.  Oy!

First of all, I couldn't mix the shadow colors of the apples, or any other colors for that matter.  I couldn't draw the teacup and saucer either.  The biggest problem was the composition.  The painting was so top-heavy that it was about to topple, figuratively speaking.  Eventually, John came to the rescue.  He worked on my painting for half an hour (!).  No, he didn't finish the painting for me; he showed me the way. 

Do you see how dark the teacup and light cloth are in the shadowed side?  How about the greens and purples in the apples!  When John first started putting down greens, blues, and what not into the apples, they looked like the poisoned apples the evil queen offered to Snow White.  "Apples for Snow White" was the first title I thought of for the painting!

On the following day I knocked down the shocking colors, while still maintaining the dark value in the shadows.  I worked on the painting to complete it, perhaps for three hours altogether, until the paints became too sticky.  What you don't know is that during the painting "session" I also went to my ice-skating lesson/practice and baked two batches of brownies for my daughter's marching band as well! 

A teacher once advised that one should not try to paint unless you have a block of painting time.  If I wait for such a block, I will probably paint two or three times a week instead of everyday.  I say PAINT WHENEVER YOU CAN!     

"Buggy Ride" (oil; 8" x 10")

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"Buggy Ride"

Reference photo


While driving in Lancaster County, PA last year, we saw this young Amish couple riding in a buggy.  Many other buggies and carriages were out and about; the Amish folk were probably running errands, visiting each other on a Sunday afternoon.  A quickly-taken snapshot became the reference for the painting.  As they live in a self-imposed isolation for their religious faith, I felt some reservation about invading their privacy by painting them. 

"Red Rose" (oil; 7" x 5")

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"Red Rose"

Still life setup
 
I have been living off my photographs for months and have finally had enough!  I decided instead to paint more from life.  As I don't seem to be eager to go outside to paint, I figured that simple still lifes would work better for my indolent self.  I ordered a shadow box contraption advertised in Carole Marine's blog, got fabrics to block the ambient light, and bought a red rose for my own still life setup.  So far so good.

Painting the darned rose was not as easy as it appeared.  I first tried it lying on a beige drape.  After a wipe-off and an indifferent painting, I gave up.  Yesterday the flower looked exactly the same as the day before (!), so I decided to have another go.  This time I put the rose in a crystal vase with a striped green fabric as the backdrop.  The vase didn't make into the small painting; the fabric became a neutral green environment.  Doesn't "Red Rose" look like a garden scene instead of a still life?

"Autumn Colors" (oil; 8" x 6")

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"Autumn Colors"

Still life setup


A good thing about painting still lifes is that I have a complete control over the subject matter and lighting.  If I choose fruits and vegetables, I get to eat them afterwards.  Flowers will adorn my house after posing for me as long as they are long-lasting kinds.  I learned the tricky business of painting fickle flowers hard way last year, when I tried to paint pink parrot tulips from my garden.  I ended up finishing the largish painting from a photograph, which I think negated the purpose of painting a still life from life!


"Still Life with Pink Parrot Tulips" (oil, 20 x 16")

So the yellow mum, a very long-lasting flower, was a wise choice for a still life of autumn colors.  The small Hubbard pumpkin with the most enchanting pinkish orange color alone would have made a painting, but in order to make it more companionable, I also picked up delicious, multi-colored, cherry tomatoes.  How about getting all the "ingredients" for my painting at a grocery store! 

The gold ribbon was added for a graceful flow between the foreground tomatoes and the background mum.  I cannot believe that I managed to paint this rather ambitious arrangement in such a small canvas!

10 Ekim 2012 Çarşamba

Bill Smith Goes to College by David Stag

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 An Over-The-Top Satire About College

Published by CreateSpace Independent Publishing Platform in 2012.

We all know that going to college is a major life event. Everything changes in a student's daily life - new place to live, new routines, new friends, new responsibilities and, of course, being exposed to new ideas. 

But, those of us who have gone to college know that the happy brochures that prospective parents pore over with their teenagers are not quite reality. Despite the promises to support young academics in their quest for truth and knowledge, incompetent administration, petty professors and arbitrary decisions often act to make college less of a quest for knowledge and more a test of a young person's ability to bend and twist to the whims of a bureaucratic system. Can you go along to get along? If so, step forward and get your diploma.

David Stag's Bill Smith Goes to College is a satire, somewhat in the vein of Jonathan Swift's famed essay, A Modest Proposal. Or, if you like a more modern example, it is in the vein of Rush Limbaugh's declaration that he illustrates "the absurd with absurdity." Take the crazy situation and make it even more crazy to make your point.

So, what is Stag's point exactly?

He has a bunch of them. Here are a few:

1) You are on your own when you go to college;

2) Your values will not be respected if they disagree with those sanctioned by the college;

3) Your time will not be respected;

4) There are prescribed classes to take on a list. You need to take them and not worry about what they have to do with your major;

5) Most professors have nothing new to say, even though they are required to publish. And, once they publish, no one really reads what they read anyway;

6) Some people never leave college;

7) Sometimes you are taught things that make no sense. Just go with it;

8) Some people like to protest against everything. They are annoying and mindless (even though they think they are enlightened);

9) On the other hand, think for yourself and act when you need to.

10) College is a racket, a scheme to bilk the government out of a lot of money in student loans and grants.

When Bill Smith arrives at Mountebank University (yes, it is intentional -a mountebank is a person who tricks people out of their money) and finds that he has no dorm room (he has to sleep at the end of the hallway), the showers are co-ed (but don't look too much or you'll be slapped with a harassment suit!) and his schedule doesn't really make any sense. 

As he goes through his first week at college he meets a colorful cast of over-the-top crazy people who make life at college a confusing mess. Every university employee is exaggerated to make Stag's point and most work quite well (with the glaring exception of Adolph Hilter, a character based on Hitler).  However, I really enjoyed the psych professor named Dr. Flake who had a complete breakdown in front of class.

So, if you like sedate satire, the kind that settles in smoothly and causes you to ponder, well...this ain't it. But, if you like in-your-face satire that never lets up and makes it points early and often this is your book.

I rate this book 4 stars out of 5. 

Note: this book was sent to me by the author to be reviewed, but the review is my honest opinion.




Capitol Murder (Ben Kincaid #14) by William Bernhardt

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Published in 2006 by Ballantine Books

Years ago I worked at a used book store and I was introduced to William Berhnardt's Ben Kincaid series by a co-worker. Pretty soon, all of us were reading the series and recommending it to others and they were moving off the shelf pretty briskly. Ben Kincaid does that to you - he is a likable guy with a rumpled suit and no ego that just wants to do what is best for his friends, family and, of course, his clients.

But, I haven't read a Ben Kincaid novel in a long time (8 years according to the other Ben Kincaid review on this blog: Murder One). The good and the bad thing is that William Bernhardt's Ben Kincaid is a lot like Janet Evanovich' s Stephanie Plum. Despite all of the different adventures and experiences, the characters just do not change. Read book 5, book 10, book 14 - it does not matter. Just jump right in. Of course, this is a mixed blessing. It is an invitation to being stale, but also a recognition that people like comfortable characters.

In Capitol Murder, an aide to Oklahoma's senior Senator is found dead in his secret hideaway in the capitol buidling itself just after a video of them involved in a sexual act is released. Ben Kincaid grew up with the senator and Ben is summoned to lead his defense. His investigator, Loving, digs up enough information to discover that there is a lot more to this case and the victim than meets the eye, including a hidden world of vampires and sex clubs.

Bernhardt decides to keep Kincaid's defense hidden from the reader. The reader learns about the strategies as the case proceeds, which is not the way most legal thrillers work. I found it frustrating and I found the back story on the victim to be quite ridiculous.

I have to give this book 3 stars out of 5

Reviewed on September 22, 2012.

The Hobbit (BBC Radio Presents) (audiobook) by J.R.R. Tolkien

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 A Disappointing Adaptation

Published in 1988 by Bantam Audio Publishing 
Performed by a full cast
Duration: 3 hours, 42 minutes
Abridged and edited for the radio drama format.

Way back in 1968, the BBC created a radio play version of The Hobbit to air in eight 30 minute segments with a full cast, original music and special effects. Due to a dispute between the Tolkien estate and the BBC the original tapes were to have been destroyed. But, the issues were resolved, copies resurfaced and since the late 1980s the BBC has re-issued this version of The Hobbit in various formats. I listened to a 1988 audio cassette version.

J.R.R. Tolkien (1892-1973)
Now, I truly love the story The Hobbit - it is a true classic and I listened to this version to give myself a little reminder of the story before the movie comes out at the end of this year.

However, this audio version has some serious troubles.

First, the positives. The narrator (a character created for this abridgment of the story) is quite good and I rather enjoyed the interaction between the narrator and Bilbo. It reminded me of someone telling a story around a campfire and another person coming in and clarifying a point from time to time as the story was being told.

But, there are problems. The dwarves tended to blend together and sounded like a rowdy, whiny frat party most of the time with a lot of hooting, grunting and complaining. But, with 13 dwarves it would have been very difficult to do much with them anyway, except to cut down on the extra noise of having all or most of them speak at the same time in scene after scene. On top of that, the names are pronounced differently in this version than I have ever heard them. Gandalf is pronounced with the emphasis on the last syllable and sometimes sounds like gand-ELF. Gollum is pronounced Gul-loom.

But, that would have all been understandable and forgivable if that were the worst of the problems. The special effects are horrid. Sometimes they are too loud so that they dominate the scene (as in when they are carried by the giant eagles) and other times they are pathetic. For instance, in the scene with the wargs there is no attempt made to make the wargs sound wolf-like. Instead, the actors are all baying, "Woooo-ooooo-ooo!" at the microphone. Throw in the horrid voices of the thrush and the eagles and scenes that are meant to be a treat becomes something that must be endured. This adaptation was made on the cheap and it shows, especially when compared to the high quality work done by companies like GraphicAudio nowadays.

I rate this audiobook 2 stars out of 5.

Reviewed on September 22, 2012.

The Art of Procrastination: A Guide to Effective Dawdling, Lollygagging and Postponing (audiobook) by John Perry

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Published by HighBridge Audio in 2012
Read by Brian Holsopple
Duration: 1 hour, 48 minutes

Are you the kind of person who has the best of intentions but continually puts important projects aside to do other things? Is your work environment organized horizontally (stuff spread all over the desk, open chairs and any other flat surface) rather than vertically (in a filing cabinet)? Do you find that even though you put things off you still get a whole lot of stuff done - just not the stuff that you were supposed to get done? If any of these descriptions sound like you than you should check out this audiobook.


I have to admit, all of those descriptions describe me. Right now I am writing a review of a fun audiobook rather than writing one of a book I read three weeks ago that was not a particularly well done book. But, I am writing and that means one more book review will be checked off of my "to-do" list.

John Perry is a philosophy professor at Stanford. What started out as a fun little essay he wrote when he was supposed to be doing something else has blossomed into a movement (see the essay by clicking here) which goes to prove what Perry has purported for years - Procrastination is not as bad as it is cracked up to be. 

In this audiobook Perry discusses "structured procrastination" (""All procrastinators put off things they have to do. Structured procrastination is the art of making this negative trait work for you. The key idea is that procrastination does not mean doing absolutely nothing."), the value of "To-Do" lists and how to make them work for the structured procrastinator, fringe benefits of procrastination and how to work with non-procrastinators among other topics.

This is a fun audiobook - guaranteed to make fellow procrastinators chuckle and laugh throughout it relatively short run time. By the way, it took John Perry 16 years to turn his essay into a book and it may well have been worth the wait.

I rate this audiobook 5 stars out of 5.

Reviewed on October 5, 2012.

A Beautiful Friendship (Stephanie Harrington #1) by David Weber

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Perhaps the Beginning of a Beautiful Series?

Published in 2011 by Baen

So, David Weber decided to make a Young Adult (YA) series.

Yes, a sci-fi author known best for his highly-descriptive military sci-fi works characterized by very long conversations is entering a field where too much violence and too much conversation are both problematic. Well, I thought, this should be interesting.

Weber expanded a short story that first appeared in an short story collection More Than Honor from 1998 as part of the extensive Honor Harrington series. Eleven year old Stephanie Harrington is the main character in A Beautiful Friendship and she is an ancestor of Honor Harrington.

Stephanie lives on the planet Sphinx, a fairly new colony that is part of a star kingdom called Manticore. Stephanie's family has moved to the planet because their skills are needed but Stephanie is bored by frontier life. However, she is intrigued by a mystery that is being reported across the planet - celery is disappearing from gardens and greenhouses across the frontier.

David Weber
Stephanie decides that some native animal must be taking the celery so she sets an alarm to tell her when their greenhouse has been broken into and one dark and stormy night the alarm goes off. Off she goes with her camera and meets a treecat, the previously unknown native sentient species on the planet. Treecats are sort of a mix of cats, racoons and monkeys with nasty teeth and claws.

The treecats live a low-tech lifestyle consisting of hunting, gathering and light agriculture. They do not have a spoken language because they are telepathic. They have an rich culture and are able to communicate over relatively long distances with their minds. It turns out that treecats find celery to be irresistible. When Stephanie and the treecate (named Climbs Quickly) meet they form an intense psychic bond, stronger than most mated treecats would experience. Despite Stephanie's utter lack of telepathic skills she is still able to "feel" Climbs Quickly and she knows where he is even if they are separated by miles.

The balance of the book involves the exploration of this bond, their difficulties in communicating (he has no spoken language and she is not telepathic), the dangers facing the treecats by human encroachment (no, this is not a mindless environmental book - it recognizes that human society needs natural resources) and a plot that endangers a band of treecats.

So, how does it work as a YA book? My 12 year old daughter loved it. I liked it. I would think that it is too talkative for most teens and pre-teens, but then again my daughter loved it. What do I know? There is action and to Weber's credit he treats his young readers like intelligent people and does not sugarcoat the tendencies of advanced cultures to overwhelm lower-tech cultures. His treecats are a believable society. I just ordered the second book in the series and I will be sure to read it after my daughter reads it.

I rate this novel 4 stars out of 5.

Reviewed on October 7, 2012.

9 Ekim 2012 Salı

Ms. Dickinson's Purple & Gold Pick of the Week: Grave Mercy by Robin LaFevers

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Since birth, Ismae has been marked by death.  The red birthmark running across her body is both a reminder of the dark circumstances surroundign her birth and a sign that her true father is likely Mortain, the god of death himself.  However when Ismae find refuge from an unwanted arranged marriage with a cruel man at the ancient convent of St. Mortain, she learns that her strangeness might mark her for an unusual and dangerous destiny.  At the convent, the old gods of Brittany are still worshipped and women swear to serve as Death's handmaidens--highly trained assassins working to keep the balance of life and death at all costs.

If you're looking for an exciting and rich new fantasy, then Robin LaFevers' debut novel might be just your cup of tea--or, more appropriately, goblet of poison!  Grave Mercy fits nicely into the emerging subcategory of fantasy writing frequently identified as historical fantasy.  Ismae lives in an alternative version of the medieval duchy of Brittany fighting to remain independent from France and the tale winds through dark roadside inns, tension-filled feast halls, and the chilly passages of castles.  The story combines mysterious court intrigues, a thrilling spy and assassin plot, swoon-worthy romance, and richly detailed characters.  Ismae is an intriguing narrator. Her past experiences as a social pariah and the abuse of men like her father and husband have scarred her; while her training at the convent has strengthened her confidence, she remains distrustful of outsiders, especially men.  When beginning her largest mission yet posing as the young Breton duchess's mysterious brother Gavriel Duval's mistress, Ismae is excited to have the opportunity to serve Mortain and to prove her worth to the convent.  However, she soon finds herself both unprepared for the layered intrigues of the Breton court and unnerved by the questions Duval raises about the convent's motives and methods.  The reader is drawn into Ismae's quest for the truth quickly and pulled through a twisting and thrilling journey that is impossible to put down.

This fresh and fierce fantasy has a well-crafted plot full of mystery and romance, fascinating characters, and rich, atmospheric setting.  Best of all--it's the first in a trilogy (titled His Fair Assassin) so we can all look forward to hearing more about Ismae's adventures as she strives to find her own path in a dangerous and unpredictable world.     

Ms. Dickinson's Purple & Gold Pick of the Week: Code Name Verity by Elizabeth Wein

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On October 11, 1943, a British spy plane carrying two young women is hit by enemy antiaircraft fire while crossing the English Channel.  The determined pilot fights the failing aircraft for control, allowing her passenger to parachute out safely before crashing down in a French field.  The parachuting passenger is a Special Operative with the code name Verity--and the pilot is her best friend Maddie.  Together, they are a sensation team.  But mere days after leaving Maddie and her unknown fate behind, Verity is captured by the Gestapo.  Entering into a spy's worst nightmare, she's faced with a choice: spill her many secrets or face a slow and painful death. 

Reviewing Elizabeth Wein's brilliant new novel is a delicate task, involving some of the same careful way with words and talent for subterfuge necessary for survival as a Special Operative.  The task is so tricky because this thrilling novel is full of so many surprising twists and turns that even the shortest plot summary is in danger of including spoilers.  However, I can reveal that Code Name Verity is one of the most intense and fascinating novels I've read this year.  While it's packed with interesting historical details about everything from planes to ballpoint pens, the story never drags with an overabundance of description.  In fact, even though Verity's narrative jumps back and forth between her horrific present  situation and her retelling of the events that brought her and Maddie to France, the story practically never drags.  Verity's narration, occasionally jumbled or confusing as suits a confession written under threat of torture, is highly compelling and the tension only grows as the novel's multiple plots unfold.  However, while the complex and well-crafted plot and excellent writing are huge factors in this novel's success, it is the extraordinarily realistic and emotionally resonant portrayal of the friendship between Verity and Maddie that truly makes this novel stand out.  As Verity writes, "It's like being in love, discovering your best friend." 

Come over the library to grab of our copy of Elizabeth Wein's thrilling novel of friendship and survival under fire, Code Name Verity!

Living in A Booklover's Paradise: National Book Festival This Weekend!

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 This year's poster was designed by
Rafael Lopez.
Living in our nation's capital can have many advantages, especially for those among the NCS community with an interest in international issues and politics.  However, D.C. also happens to be a paradise for booklovers!  Between our extensive public library system and the many amazing independent bookstores scattered throughout the District, rapid readers are very lucky.  This weekend's exciting events are prime examples of D.C.'s exciting literary scene. 

This Saturday and Sunday, September 22nd and 23rd, the Library of Congress will host its 12th annual National Book Festival down on the National Mall.  The festival takes over the the Mall between 9th and 14th Streets, filling the area with a variety of pavillons housing everything from author presentations and book signings to family reading activities and special exhibits about the Library of Congress or the literary traditions of all 50 states.  You can visit the Festival's website to find more information including a map of the pavillions and a schedule of all exciting author presentations and signings.  Over 100 authors, poets, and illustrators of books in all different genres will be at the event over the course of the weekend.  Highlights include John Green (The Fault in Our Stars), Lois Lowry (The Giver), Maggie Stiefvater (Shiver; The Scorpio Races), Jenny Han (The Summer I Turned Pretty), Sandra Cisneros (The House on Mango Street), and many, many more!  To find out if your favorite author might be there, check out the Festival complete author list here.

The National Book Festival runs from 10am to 5:30pm on Saturday Sept. 22 and from noon to 5:30pm on Sunday Sept. 23 on the National Mall.  It is free and open to the public and the events will run as scheduled in rain or sunshine.   

Additionally, the fabulous independent bookstore Politics and Prose has several exciting author events this week.  Libba Bray (author of A Great & Terrible Beauty, Going Bovine, and Beauty Queens) is presenting and signing there on Wednesday Sept. 20 at 7pm to celebrate the publication of her history fantasy novel The Diviners.  Also, David Levithan (Nick & Nora's Infinite Playlist; Every Day) and Jacqueline Woodson (Hush; If You Come Softly; Beneath A Meth Moon) will be stopping by the store at 6:30pm on Saturday Sept. 22 after their busy day at the Book Festival.  Check out their calendar to for details!